Overview
I conceive of my digital artworks as ongoing, atemporal, editable works without end.
Nick Fudge is widely regarded as a pioneer of digital art. His work anticipated concepts now central to digital materialism and media archaeology—fields that continue to influence contemporary media theory. Fudge’s digital art exists as a decades-long, recursive project: a continuously evolving body of work characterized by ongoing editing and iteration. As art theorist An Paenhuysen observed, “In the 1990s, Fudge approached the Internet with a post-Internet mindset, but in the 2010s, the same work also delves into the media archaeology of the 1990s”. In a radical move. Fudge withheld his digital works from exhibition between 1994 and 2015, allowing him to explore emerging technologies free from public scrutiny. Trained as a painter and steeped in Western art history, he approached digital media with a modernist’s attention to material specificity, preserving his works as pure digital files without converting them into physical form.
Works
  • Nick Fudge, Picasso Co., 2019-2024
    Picasso Co., 2019-2024
  • Nick Fudge, L'Echo de Paris (after Braque), 2018-2024
    L'Echo de Paris (after Braque), 2018-2024
  • Nick Fudge, Fluttering Hearts (Marie-Therese (After Picasso)), 2016-2018
    Fluttering Hearts (Marie-Therese (After Picasso)), 2016-2018
  • Nick Fudge, Cubist Pure Data, 2003
    Cubist Pure Data, 2003
Press
Exhibitions