We don’t think of ourselves as taking full responsibility for the formation of our glasswork, but rather, we are vehicles for what the art has come to be.

—Resurrect Studio

Resurrect Studio is a collaborative glass practice that approaches the medium as both material and spirit. Working with molten glass, the artists surrender to its unpredictable nature, embracing the chance and transformation inherent in the process. Their work is less about imposing form and more about listening—allowing the glass itself to determine its final state. This philosophy places them within a lineage of contemporary makers who see art not as domination of materials but as co-creation with them.

Based in the U.S., Resurrect Studio has exhibited regionally and nationally, with pieces that range from delicate vessels to sculptural installations. Their work emphasizes the tension between fragility and permanence, transparency and opacity, control and release. By positioning themselves as conduits rather than sole creators, they invite viewers to experience glass not only as an object, but as an unfolding dialogue between artist, material, and environment.

On this particular artwork, the artists write:

I.W. Harper on the Rocks stands as a testament to a legacy frozen in time, much like the ice that cools a fine bourbon. The found glass piece crowns the sculpture in striking elegance, once discarded in a landfill but now reborn to reflect the craftsmanship and smooth character of I.W. Harper whiskey—first introduced in 1872 by Isaac Wolfe Bernheim. Once served at the White House during President Franklin D. Roosevelt’s administration, it was cherished for its rich, inviting flavor. The sculpture’s colors shimmer and meld, reminding us that even the most unexpected finds can hold a piece of history and untold beauty.